Check out this week's alternative guide to what's on in London. | Sadly, with London still in Tier 4 lockdown, pretty much everything is closed save some outdoor venues, so the listings guide is just some online events. Sorry, lets hope things recover sooner rather than later. | = Event is free of charge | | = Pre-Booking required. |
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| | Saturday, 2nd January | | | Sunday, 3rd January | | | Monday, 4th January | | | Tuesday, 5th January | | We will also ask: why are bells bell-shaped? What properties of this shape create the sound of a bell, and by what amount should we scale the size of a bell to produce changes in pitch? | | | Hear the story of how Music Hall developed in London and about some of the people who were part of this | | | This talk explores the intersection of queer and Holocaust history through the example of an enforced relationship between two women, a guard and a Jewish woman, in a concentration camp in winter 1945. | | | | Wednesday, 6th January | | This lecture explores how high-risk professionals can share insights relevant to medicine, helping clinicians to develop essential skills. | | | A talk by Brian Parsons who, with Hugh Meller, has completed a new edition of their well-known compendium of London Cemeteries | | | | Thursday, 7th January | | Dr Wallis will discuss post-mortems in private homes in the nineteenth and twentieth centuries. | | | There are a surprising number of closed railway lines and stations in London. Join Stephen to explore some lost and forgotten railways. | | | A talk about how the UK secured fuel supplies during WW2. | | | | Friday, 8th January | | Join David Crane online as he discusses the forgotten story behind the making of the cemeteries of the First World War. | | | In this 2-part online course, Mary Wild will turn to psychoanalytic theory to establish the interpretive framework of David Bowie’s music videos and filmography. | | | | Saturday, 9th January | | In this 2-part online course, Mary Wild will turn to psychoanalytic theory to establish the interpretive framework of David Bowie’s music videos and filmography. | |
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