| Good morning. If Pompeii were a Mean Girls character, it would probably ask: “Why are you so obsessed with me?” The Regina George of ancient cities has long held our shared fascination, to say nothing of historians and researchers’ time and attention. In a newly released English version of his book The Buried City, archaeologist Gabriel Zuchtriegel takes us on an insider’s tour of the site, a third of which is still unexcavated, revealing clues to our collective infatuation. Sarah Bond dives in. In the news, a high school teacher from the Chicago suburb of Evanston is facing disciplinary action after he hung up a poster in his classroom that referenced the history of Jewish dissent. The print, created by a Jewish artist, was inspired by Rabbi Abraham Joshua Heschel’s 1971 anti-war essay “Dissent.” Staff Writer Maya Pontone has the story.
There’s more below — including alternative relief for arts organizations that lost NEA grants and Zach Feuer’s interview with artist Marilou Schultz, whose weavings push the boundary of Diné art. — Valentina Di Liscia, News Editor | | |
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| You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member. | | Become a Member |
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 | | Marilou Schultz, a math teacher and fourth-generation weaver, pushes the boundaries of the art form by combining technological aesthetics and Diné techniques. | Zach Feuer |
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SPONSORED |  | | | | The Things Left Unsaid explores interconnected questions of belonging, adaptation, absence, and resilience. This group exhibition features the work of NXTHVN’s Cohort 06 Studio Fellows Baris Gokturk, Kwamé Azure Gomez, Patrick Henry, Kristy Hughes, Christopher Paul Jordan, Reeha Lim, and Napoles Marty, curated by Curatorial Fellow Rigoberto Luna.
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IN THE NEWS |  | | Amid the cancellation of millions in government grants by the Trump administration, a wave of new relief programs and fundraisers leaves room for hope. | Isa Farfan |
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|  | | Evanston teacher Andrew Ginsberg, who is Jewish, was asked to take down a print referencing Rabbi Abraham Joshua Heschel’s 1971 anti-war essay. | Maya Pontone |
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SPONSORED |  | | | | The Anchorage institution exists to be a purposeful, active place where culture is embodied, enacted, and shared. Learn more |
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LATEST REVIEWS |  | | In The Buried City, the director of the archaeological park brings a more humane and soulful version of the site to life. | Sarah E. Bond |
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|  | | A show demonstrates how the motor vehicle drove aesthetics, fashion, and feminism in interwar France. | Eileen G’Sell |
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FROM THE ARCHIVE |  | | Graphic designer Louise Fili photographed the distinctive signage of Barcelona, as a design inspiration, and argument for preservation. | Allison Meier |
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| You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member. | | Become a Member |
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