What Sparks Poetry is a series of original essays that explores experiences and ideas that spark the writing of new poems. In Reading Prose, poets write about poetic language as patterned language—how words as sound, voice, sentence, and song become elements of form. Each Monday's delivery brings you a poem and an excerpt from the essay.
Interesting story. . .

                           written in red ink
                           at the top of my
                           mother's paper

                                                       . . .Is this even true?

                                                                                                         1972—Eighth Grade American Indian Unit

                                                                                                          even then, her faultless cursive
                                                                                                          recounting her father‘’s recounting
                                                                                                          of Sitting Bull’s murder
today we learn
to say who we are
in Zoom Dakota class

tiles enclose faces

                      COMMAND + SHIFT + A
                      unmute

        shapes move through mouths

               Damákhota
               Oregon hemátaŋhaŋ ye
               Tuktédaŋ omáwapi šni ye


                                                                   afterward I forget everything

                                                                   walking the dog past beautiful
                                                                   people lifting weights, stretching
                                                                   by the bronze bust of Leif Erikson

                                                                   glistening populace of the open field
                                                                   shadows keep casual intimacy
                                                                   deepen in overlaps


                     Homework: what is all the information you can give someone about yourself
                     and what would your introduction sound like?

                                                                                                                     half-second misaligned
                                                                                                                                   perfecting an echo's echo

but my legs are         in running shorts and my face is          on dating apps and I check the box for
on government forms ergo I am          in any residual sense          phenotypically slash culturally
slash         in terms of my rearing as well as          in case of receipt of cultural or academic capital
from the largely           establishment that is to say I am           to any glance           passing or otherwise
 
 

                                        in the documentary
                                        a fisherman's voice-over

                                        we are living out long-term genocide

                                        he slits a salmon
                                        points to good flesh
 

 
the terms of           ness are long-term and to be          is endpoint of every room that has included me
for being meekly            and legibly
 
 

                                                                    "finally, there was the groundless shame of the inadvertent
                                                                     impostor" wrote Adrian Piper

                                                                     (she looked             to the gaze but wasn't             )
 
 

if I wrote in             on             paper
it would look like
from the book REMOVAL ACTS /  Graywolf Press
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What Sparks Poetry:
Erin Marie Lynch on Reading Prose


"My family's archive was haunting me. Or the archive beneath the archive, the archive against the archive. The archive that could be for us. I was trying to trace the movements of my ancestors backwards, from Oregon to Standing Rock to the Dakota homelands in Minnesota. I needed to find out whether my great-great-grandmother, Elizabeth, had been involved in the forced march following the U.S.-Dakota War of 1862 and the following atrocities. And I needed poetry to understand the varied and various rippings and sutures of our people and our land."
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An image of the Calendar
"Works by Brecht, Du Bois, Frost, and Woolf Are Now in the Public Domain"

"On January 1, 2024, thousands of copyrighted literary works from 1928 entered the public domain in the United States. That means authors and other creators can now incorporate thousands of books published in and before 1928 into their own work—at least for U.S. distribution—without permission. Highlights of this year's public domain class include classics such as Lady Chatterley's Lover by D.H. Lawrence."

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