What Sparks Poetry is a series of original essays that explores experiences and ideas that spark the writing of new poems. In Ecopoetry Now, invited poets highlight poetry’s integral role in sustaining our ecological imagination. Each Monday's delivery brings you a poem and an excerpt from the essay.
Evelyn Reilly

Grief moves from box to box

Calendars, emoticons

Screen shots

Of a pangolin and a bat

Having become the animal, I am

Among the float of heavy bees

Every living thing has its natural history

Tree leaves

Mutual need

Insect calipers measuring out probabilities

The wind is full of shifting gears, which the overlords use to exert
        their usual machinations

Financial instruments, public relation messages

There aren't enough scare quotes in the world for this

Hope in the presence of other people I once took as a provisional
        definition

Amend, repair, revise, recognize

That kind of incantation

But an incipient way of thinking links us to an unsecured network

Having been brainwashed as children we must suspect ourselves always

Dogged associations such as a clearing in the woods closing at the rate
        of your own aging

Your arbitrary name-sound wobbling in the same breeze
        that makes it impossible to turn over a new leaf definitively

You can only step into the fray

See what happens in the ecosystem of response

This may be prophetic pragmatism

How do we do together?

Thus it's hair-raising when ancestors grope mystically at my scalp

Union soldiers become Indian hunters, Protestant ministers

Indecipherable women

Cause permanent itchiness

Past futures and future futures

Moth touchdowns have me putting up antennae again as delicate
        landing pads open under a fingernail of moony lyric impulse

Endless exploratory probings

The inflammation of unpeaceful centuries

The respiratory systems

Not breathing well at all

These forests, these streets


Author's Note:

The first line of this poem echoes “Unmarked Boxes” by Rumi as translated by Coleman Barks. The “brainwashing” line was adapted from a work of art by Anne Tardos containing the words “I was brainwashed as a child. There was no other way.”

from the book HAVING BROKEN, ARE / BlazeVOX
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Cover image of Evelyn Reilly's new book, Having Broken: ARE
What Sparks Poetry:
Evelyn Reilly on "Having Broken, Are"


"I live in New York City and also down a dirt road in the country, and that dual existence is part of the 'reality' of both the title poem and the poem sequences that make up most of this book. I put 'reality' in quotation marks because all poems, I believe, are attempts to channel what Sun RA (who is also an interlocutor in this book) calls the 'impossible possible,' which is both a reality and not. Seeking possible words for impossible possibilities I take as one of poetry’s tasks."
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Color, hand-drawn illustration of the letter, "I", four times
"Just Who Is ‘the Speaker,’ Anyway?"

"As Jos Charles writes in an essay in 'Personal Best: Makers on Their Poems That Matter Most,' 'the written poem is often mistaken for the poem itself.' A poem, like a piece of music, she writes, 'is neither its score nor any one performance,' but what is repeatable across all performances. Any reader reading a poem performs it—we channel the ghost voice."

viaTHE NEW YORK TIMES
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