What Sparks Poetry is a serialized feature in which we invite writers to explore experiences and ideas that spark new poems and other writing. In Delineated: Prose Writers on Poetry, prominent writers of fiction and non-fiction reflect on how poetry illuminates their creative lives, whether as inspiration, a daily practice, or a thread of hope through difficult times.
Over lunch, with a forkful of salad that wavered
for a few minutes in front of her mouth, a girlfriend

of mine, a novelist friend, discussed her idea for a superhero.
In the face of perilous danger our girl would whip off

hoop earrings and with a flick of her bangled
wrist wield them against opponents. After injuring

her arch rival, forcing him underground, and halting his plot
to gentrify the neighborhood, discs boomeranged back

to the earlobes of our fearless hero, poised and ready
for the next nemesis. A moment before she took action,

the comic bubble would read: Don't make me
take off my earrings. Hearing this, I thought of

John Henry, steel-driving man, whose hammer
and superhuman strength left him dead, buried

in the sand, and of enslaved women who, pregnant,
picked as much cotton as any man, who pregnant

by the same man who said he owned her—who, it must
be said raped her again, again—the same man, or someone

like him who after the pain of labor demanded she return
to the fields, and after the pain of labor sold their child away.

And it may seem unlikely, but I thought of my mother,
twin at each breast, how her ached body became a type

of machine, and of the broth she cooked to fight off
colds. By now can you tell I'm tired of fighting?

I envy the ordinary woman whose earrings are earrings.
She removes them so as not to scratch her lover's face.
from the journal BEAR REVIEW
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Cover image from Bear Review
What Sparks Poetry:
Gabrielle Lucille Fuentes on Ama Codjoe's "Superpower"


"Each time I read 'Superpower,' I’m astonished by the turns the poem keeps making: from the playful to the horrifying, spanning over a hundred years in a few lines. The poem moves from an imagined fantasy of a superhero, to the folk hero John Henry, to an unnamed enslaved woman, to a (re)imagined memory of the speaker’s mother."
READ THIS WEEK'S ISSUE
Cover of Judith Hall's newest book, Prospects
"To read Judith Hall over nearly three decades is to witness the evolution of a genuine poetic innovator less interested in self-promotion, publication, and awards (although she’s won a significant number of major prizes) than in formal enactments of difficult truths—often painful truths about girlhood, beauty, violence, illness, and the limits of language itself."

via LOS ANGELES REVIEW OF BOOKS
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