What Sparks Poetry is a serialized feature that explores experiences and ideas that spark the writing of new poems. In the newest series, Life in Public, we ask our editors to examine how poetry speaks to different aspects of public experience. Each Monday's delivery brings you the poem and an excerpt from the essay.  
Wong May

         (Martin Luther King, Spring 1968)
 
And if you come to my party
I will come to yours

There will always be parties
and poetry

Evening comes soft and grey like
a gracious hostess

somewhere she dances
for St. John the Baptist
his head

Listen: I am not sick
You are not sick

the in-patients are indoors
the out-patients are outdoors

the world is not sick 

After a few martinis
people with glasses in their hands
touch each other
imagine blood

Spring is here
in April
as always

Assassins spring up everywhere like prophets

Donations
Donations

What is the occasion?
Did someone drive into the cows?

Some white men
imagine they are in Africa.

Listen
if you listen carefully for long you will hear nothing

they want peace

it's catkins falling off willow trees
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Cover of Wong May's book, Reports

"When I first encountered the poem several years ago, what stood out first to me was that an Asian poet was writing a contemporaneous poem about a defining tragedy of modern American history. 'In Memoriam' documents the intersectionality of grief. It determines the distance between marginalized perspectives, between elation and devastation, as no greater than an enjambed line. Consider the resonances between the poem and the slain minister’s final speech"

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Cover of Hai-Dang Phan's Reenactments

May Huang writes, "Reenactments, Hai-Dang Phan’s stunning debut collection of poems and translations, is a platform for a series of reenactments that explore the legacy of the Vietnam War. Like a stage production, the poems often blur the boundary between truth and fiction as they retell different versions of the past."

viaHONG KONG REVIEW OF BOOKS
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