What Sparks Poetry is a series of original essays that explores experiences and ideas that spark the writing of new poems. In Books We’ve Loved, poets reflect on a book that has been particularly meaningful to them in the last year. Each Monday's delivery brings you a poem from the book and an excerpt from the essay.
Raúl Zurita:
MY GOD IS WOUND

—written in the sky—
New York—June 1982

trans. by Anna Deeny Morales
from Sky Below



The night sings, sings, sings, sings
She sings, sings, sings beneath the earth

trans. by Daniel Borzutsky
from Songs for His Disappeared Love


 
Aimé Césaire:
rise
rise
rise
I follow you who are imprinted on my ancestral white cornea
Rise sky licker

trans. by A. James Arnold and Clayton Eshleman
from The Original 1939 Notebook of a Return to the Native Land







 

the waist of a nation
 
visual representation of the 38th parallel north
 
the 38th parallel north



The Korean Demilitarized Zone is approximately 160 miles long and 2.5 miles wide.
The DMZ runs across the 38th parallel, a division created afer World War II, with
the end of the 35-year-long Japanese occupation of Korea. The US occupied the
south, and the Soviet Union the north. The US still occupies South Korea with mil-
itary installations, bases, and troops. The Korean border is one of the most milita-
rized borders in the world.








 
------------------------------------------------------------ Saint Louis, Missouri
                                                                                                38.648056 north









On February 23, 2018, the day of my poetry reading with Daniel Borzutzky at the Pu-
litzer Arts Foundation, I walked across Forest Park in Saint Louis, Missouri. I was
heading toward the Saint Louis Art Museum. I heard a kind of muted, distant calling,
a polyphony of cries. Because I had never heard the flock calls of snow geese before,
I was baffled by the flood of sound, seemingly from nowhere and everywhere. In-
stinctively, I turned my head from side to side, then up. My head, tilted back, trig-
gered vertigo, a common symptom of Ménière’s disease. My ears flapped about
dizzyingly like a sparrow and followed the migrating snow geese above. The geese
promptly instructed me, a chorus:







 
. . . return . . . return . . . return . . . return . . . return . . . return . . .
. . . return . . . return . . . return . . . return . . . return . . . return . . .
. . . return . . . return . . . return . . . return . . . return . . . return . . .








 

Then they flew even higher, out of my ears’ reach. The snow geese must have felt
sorry for the homesick sparrow from a faraway place, for they dropped me a little line
from the sky.









 

SEE YOU AT DMZ










Alone again, I could only chirp to myself. Translator for hire! Hire, hire me.
 

























from the book DMZ COLONY / Wave Books
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Cover of Don Mee Choi's book, DMZ Colony
What Sparks Poetry:
Jennifer Kronovet on Don Mee Choi's DMZ Colony


"'Cruelty and beauty—how do they coexist?' Don Mee Choi asks this question in the middle of her book DMZ Colony. To say that she answers that question is not quite right. What Choi does is harder: she gives us new ways to think it through—she creates a vocabulary, syntax, multiple codes, maps, and sounds so that we can enter specific devastations, see how they weave, like all colonial disasters, backward and forward in time."
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Altered black-and-white photograph of Gwendolen Brooks with a young girl
How Gwendolyn Brooks Shapes Poetry in Chicago

"More than two decades after her death at the age of 83, Brooks continues to exert influence on a younger generation of poets and writers. At the height of her career, she abandoned her big-time publisher Harper & Row and chose to work exclusively with Black-owned presses, including the then-fledgling Chicago publisher Third World Press. This move helped her deepen her ties with younger Black writers and with the city’s South Side."

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