What Sparks Poetry is a serialized feature that explores experiences and ideas that spark the writing of new poems. In our third series, The Poems of Others II, twenty-four poets pay homage to the poems that led them to write. Each Monday's delivery brings you the poem and an excerpt from the essay. 
Lyn Hejinian
Gesualdo to an               Gesualdo d rests his life faithful, his, in pieces,
introduction                   are discontinuous and harm the use, who did
                                          not lack intensity. c and highly individual the
                                          murder which was married between instances of
                                          workmanship and reduction. Their dramatic
                                          exclamations push the basic scale a time of the
                                          more true. b whose fame rests on her lover and
                                          between. The first vocal in the first four in the
                                          last two are discontinuous and harmonic to an
                                          introduction.

Gesualdo,                        Gesualdo extraordinary and because he gathered
gathered                          thought (as these things were bound) one doubt
                                          sand hopes and after four years murdered. Ges-
                                          ualdo had time around even in these days ap-
                                          peared. Voice and word had taken the one and
                                          their equivalents were the spoken word in retro-
                                          spect. Gesualdo and died there a modernist us-
                                          ing purposes that went like Melchizedilc, 'with-
                                          out father and mother,' of no progeny born and
                                          died there. That some of the growing about
                                          the turn (not without provocation) for purposes
                                          a little to him he murdered and died there a
                                          modernist. Learning from him being acknow-
                                          ledged at Ferrara the most brilliant ended and
                                          returned. He founded, he seems to, he develop-
                                          ed, he is important. Into turns he issued and
                                          returned b and composer he caused his faithful
                                          year. Some time the remainder a master of ex-
                                          pression which has given history complexity in
                                          advance. Yet in this lies the true. Gesualdo is
                                          famous and a lover. In that year remarkable he
                                          had proved himself in musical style of anything
                                          achieved. It was hard to resist the harsh thrill-
                                          ing pleasure, the greedy harmonies and disso-,
                                          nance, filling the ordinary, throughout his pres-
                                          tige erring on the grounds. Erring is faithful
                                          though the proper matter of his song. Gesualdo
                                          reflects. His moods change during his life. For
                                          that matter, it ever has been and ever will be
                                          repeated, one hopes.

an unrelenting                Gesualdo sits lonely and isolated in the foothills,
schedule in                       not unpleasant and impressive. This is no acci-
fascinating                       dent. And so entwined. Seven children played
detail                                 in the courtyard, sufficient signs of fecundity, in
                                           the chronicles, the subject of endless poems, of
                                           the tales contained therein, of writers are filled
                                           with it.

the element of                 With a personal sense of guilt and an unspeak-
dialogue                           able desperation, the erotic is transformed. The
inherent                           ardor alternates, love into mourning and ecstasy
                                           into flight. The early first place is of a greater
                                           reason partially to reside. It can no longer be
                                           thought of as a colorful interlude, but a new
                                           aesthetic of such dimension as ours appearing
                                           hard, attempted to this time, with gratitude,
                                           and generously, fearful of abandonment. In the
                                           opening of two voices between inner parts, pro-
                                           vides, provides, only a difference of outer voices.
                                           We hope to set the lengthy self complete, long-
                                           er, alert, savouring through extension.
from the book GESUALDO / Tuumba Press
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"Spain's Asturias Award Honours Canadian Poet Anne Carson"

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What Sparks Poetry:
Laura Jaramillo on Lyn Hejinian’s "Gesualdo"


"It was not the first poem I loved but it was one which reshaped the foundations of what I thought poetry could be—abstract elliptical essay, sensuous discourse on aesthetic form, history, and a strange kind of oblique confession all woven together into a sprawling imagistic song."
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