What Sparks Poetry:
Leah Nieboer on Hillary Gravendyk's Harm
"I keep reading it because it makes me desire its inevitable cyborgs and monsters, its palpitated time-signatures, its 'pink dreaming riot.' I, too, want to get weaved in. Or—I am already weaved in, and desire a present, and future, that is livable with, and inclusive of, a chronic error-measure. Give me less of that narrative 'cure' imposed 'across an abrupt jumble of absences' and more of this speculative wildness." |
|
|
Paul Tran's All the Flowers Kneeling: a Confrontation of Pain and Poetic Form"These poems are flamboyant in content, yet their craftsmanship is as discreet as invisible mending: you will not see the stitches unless you seek them. And it is invisible mending, in the fullest sense, that Tran does best. There is no expectation that poetry will bring conspicuous resolution. It is more subtle. The avoidance of the sonnet is in itself a resistance to completion (damage is not about happy endings)."via THE GUARDIAN |
|
|
|
|
|
|
