What Sparks Poetry is a serialized feature that explores experiences and ideas that spark the writing of new poems. In our fifth series, What Translation Sparks, a group of poet-translators share a seminal experience in translation. Each Monday's delivery brings you the poem and an excerpt from the essay.  
Yi Lei
Translated from the Chinese by Tracy K. Smith and Changtai Bi
Black hair like youth
Runs wild in March.
Dark papery leaves fly
Teeming, swarming,
Bum-rushing March.

Black hair in March
Is gentle, strangers' eyes
Softer. Memory:
A feast on offer. Youth,
Born of the primordial sea—
Embrace me. Drape my skin
Old as clouds
In something suppler.

Black hair
Blown free, rootless,
Wanders the desert's
Countless tombs, sways
Across a vacant sky,
Whips at fresh mud in rain.
Days blaze past. I have
Lost sight of my own black hair
In the mirror. Let me
Watch it now
For the next thousand years.

Black hair weedy
In dirt-poor soil.
Thirsty, deluded,
Squandering its spoils.
Black hair has no idea.

The story of black hair
Is my story.
When I die, let me drift
Like a dandelion
Of black hair.

Black hair
Like holy water.
No way, there is no way
To be saved except to die.
When black hair cries,
Its tears snuff themselves out
Like candles.
So will my life cease to flicker.

Black hair
Exhausted brush fire
Fanned by misery
Whistling
Through the last century.

Black hair,
Shredded black flag
Of a woman's glory,
Ragged and battered
In March wind.
Forsaking dignity
Absolved of chastity
With its pride in knots
Black hair smiles easily
In March.

If waterfall, it will plummet.
If cloud, it will scatter.

Eyes plaintive, wide,
Black hair waits to be spun
By hardened hands
Into rock

March 25, 1987
from the book MY NAME WILL GROW WIDE LIKE A TREE / Graywolf Press
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Black-and-white cover of Y Lei's book, My Name Will Grow Wide Like a Tree, translated by Tracy K. Smith and Changtai Bi
What Sparks Poetry:
Tracy K. Smith on "Black Hair"


"Working on the poem, I saw clearly how the recurring image of black hair signifies within the specific context of Asian femininity, and yet in my hands—in my mouth—the phrase “black hair” began to make space for a second set of values and vulnerabilities as informed by my racially specific experience." 
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Black-and-white image of Gerard Manley Hopkins
Gerard Manley Hopkins' "Terrible Sonnets"

"Into his poetic diction went the unchanneled, the inarticulable and unfeelable, the wild energy of a mind for which his circumscribed Dublin life provided no run-off. His language bristles with that electric charge, with a life-force that is so beyond what is usually required by the quotidian business of life that I have to read it as the kind of place where most of us, if we are so inclined, would locate our most intense passions, our keenest, fiercest, least paraphrasable selves."
 
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