January 2, 2023Good morning. ☁️ We made it! 2022 is behind us, and I have a good feeling about 2023. In the coming year, I plan to travel more to ensure our coverage reflects growing global trends, so expect dispatches from around the world. At the same time, we will continue to build a reliable team of reporters, columnists, and scholars who report on, grapple with, and offer perspectives on many of the issues that will surface throughout the upcoming year. That's it. That's all I have to say. I'm still feeling the glow of the holidays, which doesn't end for many of us until next weekend, and I wish you all a relaxing start to your year. — Hrag Vartanian, editor-in-chief The Wildest Art Stories of 2022The unbelievable, hilarious, or just plain mind-boggling things that happened in the world of art in 2022. | Valentina Di Liscia, Rhea Nayyar,and Elaine Velie SPONSORED RISD Pre-Collegiate Programs Now Enrolling for Summer 2023Rhode Island School of Design opens registration for its residential summer Pre-College program and year-round online intensive Advanced Program Online. Learn more. WHAT'S HAPPENING Maurits Cornelis Escher working in his atelier (via Wikimedia Commons)
Interested in Opportunities?Learn about the latest grants, fellowships, or residencies you can apply to in our monthly Opportunities newsletter. Update your newsletter settings to subscribe. WHAT TO SEE IN NYC & LA THIS MONTH Your Concise New York Art Guide for January 2023Your list of must-see, fun, insightful, and very New York art events this month, including Kwame Brathwaite, Sara Flores, Morris Hirshfield, Gwen Smith, and more. | Billy Anania Your Concise Los Angeles Art Guide for January 2023Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Victor Estrada, Simone Forti, Koichi Enomoto, and more. | Matt Stromberg LATEST REVIEWS Not Enough Pressure at the 2022 Kingston BiennialLimiting the biennial to the first floor of the National Gallery was a lost opportunity to position artworks in response to the country’s social vibrations. | Gervais Marsh Immersing Myself in Helen Escobedo’s “Total Environments”From an early inhabitable sculpture to an imaginary “Monument to the Taco,” Escobedo’s work moves and delights at Monterrey’s Museum of Contemporary Art. | Valentina Di Liscia Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. |