The Santa Fe Indian Market has just concluded its biggest edition in its 102-year history. In a must-read opinion piece today, Sháńdíín Brown and Zach Feuer cast a critical eye on the market's narrow definition of “authentic Indian art,” rooted in its settler-colonial origins. Give it a read. In other stories, we remember art scholar David Anfam, who passed away last week at age 69, and check in on a Minnesota nonprofit’s pioneering guaranteed income program for artists.
Also, don’t miss out on our guide for exhibitions to visit in Upstate New York, New Jersey, and Long Island this fall.
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Finally, Hyperallergic is turning 15 this fall and to celebrate, we’re throwing an anniversary party in Brooklyn on October 9. Early access tickets are now available for Hyperallergic Members. To join us at the party, become a member now at hyperallergic.com/membership. |
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— Hakim Bishara, Senior Editor |
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You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. |
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Despite its role as a hub for Native artists, SWAIA hasn’t entirely moved past its origins in White settler obsession with Native authenticity. | Sháńdíín Brown and Zach Feuer
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SPONSORED
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The streaming exhibition from Pérez Art Museum Miami is co-curated with TONO, a new festival for video, performance art, and music in Mexico City. Learn more
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IN THE NEWS
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The art historian’s legacy includes a large body of writing on Clyfford Still and his celebrated Mark Rothko catalogue raisonné. | Rhea Nayyar
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Springboard for the Arts is ramping up guaranteed income advocacy with a new exhibition of public works by recipients of its monthly payment pilot. | Isa Farfan
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SPONSORED
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The center will award 50 fellowships to support on-site archival projects across various disciplines at the humanities research library and museum in 2025–2026.
Learn more
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LATEST IN ART
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Here are 23 art exhibitions to check out in Upstate New York, Long Island, New Jersey, and more.
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During her lifetime and since her death in 1926, the painter, printer, and pastels virtuoso has often been reduced to single aspects of her life and work. | Carrie Rickey
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FROM THE ARCHIVE
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“If the world is to be saved, it will be the women who save it,” said the American Impressionist, who led a headstrong life as a woman abroad. | Bridget Quinn
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You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. |
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