Donald Trump wants to turn the U.S. into an energy fortress, ending its dependence on Canadian oil. He’s doomed to fail.

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The Best of Maclean's
 

Goodbye to the Golden Age of Oil

 

Over the last few months of Trump’s rollercoaster reign, Canadians have quickly awakened to the fact that we need a more resilient, independent economy. One idea that has emerged, as a possible silver lining to Trump’s mayhem, is that we will finally build the cross-Canada oil pipelines we’ve been talking about for decades.

But is that a good idea? Something we should be rooting for? No one is better equipped to answer this question than Don Gillmor, a Canadian journalist, novelist and a self-described “former roughneck in the Alberta oil fields,” who just happens to be publishing a book this month called On Oil, about connections between oil and democracy. His subject couldn’t be more timely.

For Maclean’s, he has written a fascinating piece about the North American energy supply and how we perceive oil in our culture. Gillmor’s sociological, historical approach never feels polemical. In fact, he bemoans the politicization of oil. “Like so much these days, energy has become tribal,” he writes. “In the U.S., oil is Republican, Christian and inherently masculine, while renewables are woke, socialist and elitist. Our own perspective in Canada isn’t much different. Trump, who has a gift for exploiting division, has seized on this divide and is using it as a cudgel, even though his best shot at energy security in the short term is a strong alliance with Canada. And in the long term it requires looking past oil.”

Visit macleans.ca for more coverage of everything that matters in Canada, and subscribe to the magazine here.

—Sarah Fulford, editor-in-chief, Maclean’s

An oil rig in a field, with a stormy sky above
 

Editor’s Picks

A young woman in a white top and blue jeans

THE PROSPECT

Anna Lambe Is TV’s New North Star

When Anna Lambe landed a role in The Grizzlies, a 2018 film about a real-life lacrosse team from Nunavut, she thought it was a one-off. But more gigs followed. Now, she stars in  North of North, a new coming-of-age comedy released on Netflix today. Lambe plays Siaja, a self-proclaimed modern Inuk woman, and she’s keen to show the world her home the way it truly is—full of complex, hilarious, flesh-and-blood people.

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Pierre Poilievre wearing sunglasses with maple leaves on them

ELECTION WATCH

Who Stands to Win in Poilievre’s Canada

The next federal election will be the most transformative in a decade. For the first time in years, there’s a fighting chance that the federal Conservatives will take power—and CPC Leader Pierre Poilievre has promised to fix what he calls a “broken” Canada. In part, that means empowering the people and industries that fell out of favour during the Trudeau era: he’s pledged new pipelines for the oil and gas industry, faster shovels in the ground for mining firms, less regulation for big tech and an Ottawa alliance with the renegade Canadian West. Here’s a deeper look at the big winners in Poilievre’s Canada.

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A young blonde girl in a wheelchair, smiling as she's pushed along by a brown-haired woman in a white t-shirt

SPONSORED

A Family’s Battle with Friedreich’s Ataxia

FA isn’t just a diagnosis—it’s a devastating disease that robs individuals of basic functions and shortens lives.

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An advertisement reading ''Work the ROOM: The Must-Attend Leadership Summit for women. May 27 at the Ritz-Carlton, Toronto.''
 
A woman with brown hair and bangs in a beige trench coat, standing beside a shorter woman with dark brown wavy hair wearing a green sweater

CULTURE PICK

Life After at the CAA Ed Mirvish Theatre in Toronto

Canadian playwright Britta Johnson (above left) lost her father when she was 13. She later spun her experiences into the musical Life After, which debuted at the Toronto Fringe Festival in 2016. This 90-minute show follows teenager Alice Carter (played by Isabella Esler, above right) wrestling with grief following her mostly absent father’s death, backed by a string orchestra and Sondheim-esque score. After winning over audiences in San Diego and Chicago, this stripped-back, Dora-decorated musical returns home to Toronto. Its emotional wallop and universal themes suggest a likely next stop: Broadway.

From April 16 to May 4 
 
The cover of the Maclean's April 2025 issue, featuring the headline ''How to Fix the Housing Crisis''

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