As a former Midwesterner, I often miss the soothing rhythm of summer drives through rolling hills and infinite fields.
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September 23, 2024

As a former Midwesterner, I often miss the soothing rhythm of summer drives through rolling hills and infinite fields. But when Isa Segalovich coasted through Wisconsin a few weeks ago, she encountered roadside gems that inject a welcome artistic zest into the pastoral landscape. Learn more about the five folk-art wonders she discovered, featuring a glistening mosaic grotto and a model ship of seashells and glass.

In the news, a group of Barnard College faculty members swiftly condemned the school administration’s effective ban on protest signage, which they say sets a dangerous precedent for academic freedom. We also report on the latest Fourth Plinth commission in London’s Trafalgar Square: a prismatic monument dotted with the faces of 726 trans and nonbinary people.

Read on for the tale of the 11-year-old who plucked a Dürer engraving from the trash, Simone Leigh’s sculptures of Black women, and more. And don’t miss contributor AX Mina’s seasonal Hyperallergic Tarotscope for the fall equinox — as an Aquarius, I’m obliged to heed their directive to approach autumn as a time of reflection and rest. See what’s in store for your sign below, and have a lovely Monday.

— Lakshmi Rivera Amin, Associate Editor

Hyperallergic’s Art Tarotscope for the Fall Equinox

Big and transformative energies are in the collective air as we enter into the coming months — be prepared. | AX Mina

SPONSORED

Blended Worlds: Art and Science Collide at Brand Library & Art Center

Blended Worlds, open through January 4, 2025 at Brand Library & Art Center unites 11 visionary artists with NASA’s Jet Propulsion Laboratory scientists and engineers. This immersive exhibition explores the intersection of creativity and science as part of Getty’s PST ART: Art & Science Collide event. Don't miss this unique collaboration!

Learn more

Moon Ribas, “Burial of a Sense” (courtesy the artist)

IN THE NEWS

  • Teresa Margolles’s newly unveiled monument in London’s Trafalgar Square shines a light on violence against transgender and nonbinary people in both Mexico and the UK.

  • Faculty condemn Barnard College’s new community conduct guidelines that effectively ban protest signage on campus.

  • An Albrecht Dürer engraving saved from the dumpster by an 11-year-old sells for $44,000.

EXHIBITION REVIEWS

Simone Leigh’s Monuments to the Black Femme

Leigh’s survey split between two Los Angeles venues demonstrates the futility in prescribing a definitive role to the Black feminine in a postcolonial world. | Nereya Otieno

SPONSORED

Kelly Church & Cherish Parrish: In Our Words, An Intergenerational Dialogue

Stamps Gallery’s fall season features a new exhibition and a slate of free programming, including a Speaker series, an artist Q&A, workshops, in Ann Arbor, Michigan.

Learn more

The Neoclassical Painter Lost to History

An exhibition outlines 19th-century artist Guillaume Lethière’s connection to his birthplace, mixed-race heritage, and the politics of revolution. | Gabrielle Patrone

MORE ON HYPERALLERGIC

Five Roadside Folk Art Wonders in Rural Wisconsin

Countless displays of intense and idiosyncratic brilliance are nestled in the grassy hills of the Midwest state. | Isabella Segalovich

Isabella Stewart Gardner’s Never-Ending Quest for Beauty

Natalie Dykstra meticulously combs through archival material to fashion a biography of the inimitable, complex arts patron, who ordered her private letters to be destroyed after her death. | Lauren Moya Ford

FEATURED LISTING

Smithsonian American Art Museum – 2025–2026 Research Fellowships

Residential fellowships at SAAM and its Renwick Gallery support full-time, independent research on US art, craft, and visual culture. Paid appointments are available at graduate, predoctoral, postdoctoral, and senior levels. Read more on Hyperallergic.
Deadline: October 15, 2024 | americanart.si.edu

See more in this month’s list of opportunities for artists, writers, and art workers!

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  5. Can We Really See Art?

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