April 19, 2022 • View in browserGood morning. ⛅ Today, a new study points out the creative sector makes up almost a quarter of all jobs in California, authorities are trying to find vandals of some ancient petroglyphs, and a filmmaker focuses on a fake town used to prepare police officers for protests and riots. — Hrag Vartanian, editor-in-chief Become a member today to support our independent journalism. Your Venice Biennale Bingo Card Has ArrivedThe world's oldest art biennial is back, and this year we've found a way to make it all a little easier for you to navigate with our fun-filled Bingo card. | Hrag Vartanian SPONSORED The Bennett Prize’s Call for Entries Is Now Open to Women Figurative Realist PaintersArtists have until October 7 to enter to win $50,000 and a traveling solo exhibition of their work. Learn more. LATEST NEWS Vandalized petroglyphs near Santa Fe, New Mexico (image courtesy the FBI)
SPONSORED Columbia’s MFA Thesis Exhibition Opens This Weekend in NYCFor these 33 visual and sound artists, this show marks the threshold between their lives as students and the future that lies ahead. Learn more. ART & FILM The Fake Town Where Police Trained to Suppress ProtestsHyperallergic talks to director Sierra Pettengill about her documentary Riotsville, USA, which finds the roots of modern policing techniques in the 1960s. | Dan Schindel SPONSORED YBCA and Galería de la Raza Present Pedagogy of Hope: Uncage, Reunify, HealThis new exhibition at Yerba Buena Center for the Arts surveys a national campaign that demands the release of migrant children separated from their families at the US-Mexico border. Learn more. Illinois Humanities Invites Viewers to Imagine a Future Without Mass IncarcerationFeaturing new work by Illinois artists, writers, and humanists, the exhibition and activation kit Envisioning Justice RE:ACTION is online and open to the public. Learn more. Alvaro Barrington’s Love Letter to Los AngelesBeyond a mere homage to LA’s aesthetic vocabulary, Alvaro Barrington sees past the superficiality of Hollywood to celebrate the myth-making at its center. | Caroline Ellen Liou A Futuristic View With a Nostalgic SpinFronteras del Futuro: Art in New Mexico and Beyond uses speculative fiction as a critical lens on culture. | Rachel Harris-Huffman Sustainability as a Form of Resistance in ArtAt NYU's Latinx Project, a group exhibition explores how Latin, African, and Asian diaspora artists promote sustainability beyond borders. | Billy Anania Lydia Maria Pfeffer’s World of Fertility, Abundance, and PlayAnthropomorphized frog, insect, and bird figures bob in the background, dancing at the same spring ball. | Jennifer Remenchik |