| | Published on the basis of the "New Schubert Edition" with access to Schubert's drafts on the Bärenreiter website
In a reader-friendly landscape format with Primo and Secondo on opposite pages and practical page turns
With notes on performance practice of Schubert's day (Ger/Eng) and relevant readings regarding interpretation, especially on Schubert's notation of accents |
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| Schubert, Franz | Fantasy for Piano (Four-Hands)
in F minor op. 103 D 940 | BÄRENREITER URTEXT
Editor: Litschauer, Walburga | | BA 11862 | EUR 16.95 | Performance score | 9790006578276 | Schubert's Fantasy in F minor is one of the most important compositions in the piano four-hands repertoire. Its four thematically related movements are played one after the other without interruption. The work was composed between January and April 1828, the year of Schubert's death. It is dedicated to his student Karoline von Esterházy, with whom he is said to have had an unhappy love affair. Schubert did not live to see the publication of the fantasy in March 1829 by A. Diabelli & Co. in Vienna.
This Urtext edition is based on the authoritative musical text of the "New Schubert Edition". An informative Foreword and valuable notes on the performance practice of Schubert's time (including articulation, use of pedal, ornamentation) with a special focus on Schubert's characteristic notation of accent markings of varying lengths introduce the fantasy. ... | | |
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| | A wide selection from Smetana's extensive œuvre for the piano
Technically less demanding compositions, easy to medium level of difficulty
Foreword (Cz/Eng/Ger) by Smetana scholar Olga Mojžíšová |
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| Smetana, Bedrich | | Easy Piano Pieces and Dances | | Editor: Šindler, Jaroslav | | BA 11578 | EUR 14.95 | Performance score | 9790260109872 | For the most part, the rich piano legacy of Bedrich Smetana (1824–1884) comprises compositions that require the skills of an advanced or even professional pianist. In this album, which forms part of the popular "Easy Piano Pieces and Dances" series, the composer's technically easier pieces have been compiled to provide an ideal introduction to Smetana's varied piano repertoire.
The album contains two well-known concert pieces ("Souvenir" from the cycle "Sketches" op. 4 and the Polka in G minor from the cycle "Three Poetic Polkas" op. 8), but also lesser-known, smaller pieces written for various occasions (e.g. several "Album Leaves"). All compositions include fingering by the renowned Czech pianist and Smetana interpreter Jan Novotný. | | | | |
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| | Clear, uncluttered engraving
Foreword on the genesis and transmission of the works as well as the sources of each individual lied (Ger/Eng)
Includes English translations of the lieder texts by Richard Wigmore |
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| Schubert, Franz | | Lieder, Volume 10 for Low Voice | BÄRENREITER URTEXT
Editor: Dürr, Walther | | BA 9150 | EUR 39.95 | Performance score | 9790006530816 | Volume 10 of the new Urtext edition of Schubert's lieder contains works composed between September 1816 and August 1817. Above all, the collaboration with his friend, the poet Johann Mayrhofer, was decisive for Schubert's development as a lieder composer in these months.
Already published:
BA9110 Volume 10 for High Voice
BA9130 Volume 10 for Medium Voice | | |
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| | Taken from the complete vocal score of the new critical edition of the opera (BA10438-90) with a piano reduction by Petr Koronthály
With changes to the original Czech vocal text
Underlaid singable text also in English and German |
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| Dvorák, Antonín | Rusalka's Song to the Moon
Aria from the opera “Rusalka” op. 114 for Soprano and Piano | BÄRENREITER URTEXT
Editors: Simon, Robert / Hájek, Jonáš | | BA 10440 | EUR 11.95 | Vocal score (Cz/Eng/Ger) | 9790260109889 | More than sixty years after the publication of Jarmil Burghauser's edition, Bärenreiter has published a new critical edition of Dvorák's "Rusalka" (BA10438) which meets today's editorial standards and on which this individual edition of Rusalka's famous aria is based.
In "Glistening moon in the velvet sky" from Act 1 of the opera, some small changes were also made to the Czech vocal text based on Dvorák's autograph.
A new piano reduction by Petr Koronthály largely adapts the excellent and well-manageable piano part that Antonín Dvorák is known to have contributed to and authorised. | | |
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| Théodore Dubois Year 2024 |
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Théodore Dubois (1837–1924) was a conductor, organist, teacher, and one of the leading Parisian composers of the 19th century. His contemporaries frequently compared him to Delibes, Widor and Lalo. Yet he rarely turned to the musical language of his age, writing instead in a vein that reveals influences from Mendelssohn, Weber, Gounod, and the dramatic style of Berlioz.
Discover Dubois' complete organ works published in Urtext performing editions for the first time. |
| Dubois, Théodore | | Complete Organ Works, Volumes I-VI | BÄRENREITER URTEXT
Editor: Schauerte-Maubouet, Helga | | BA09220 | EUR 290.00 | Special set price | 9790006537785 | | | | |
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| Beat Furrer's 70. birthday |
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| His output is always a step into the unknown, like a constant searching. As a composer, conductor, thinker and teacher, Beat Furrer is one of the most influential artists of our time. In his 70th year his distinctive musical language can be heard in many locations: he will be featured in composer focuses in Lucerne, Salzburg, Dortmund and Vienna with the performance of the music theatre work “Begehren” by Klangforum Wien and Cantando Admont. Furrer will receive the prestigious Roche Commission award at the Lucerne Festival. | | | | |
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Errors excepted; price changes and delivery terms subject to change without notice.
Responsible for content (i.S. des § 10 Abs. 3 MDStV): Ivan Dorenburg
Your contact at Barenreiter: Carolin Jetter · jetter@baerenreiter.com
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