Good morning. Every election year since 2004, artist Sheryl Oring has invited members of the public to compose letters to the next US president, which she transcribes on a typewriter and mails to the White House.
Good morning. Every election year since 2004, artist Sheryl Oring has invited members of the public to compose letters to the next US president, which she transcribes on a typewriter and mails to the White House. Yesterday was no exception as Oring stood outside the Free Library of Philadelphia in full secretarial garb to capture swing state residents’ hopes and dreams. Staff Reporter Isa Farfan spoke to the artist about the long-running performance series. In another must-read today, Matt Stromberg delves into Maura Brewer’s exhibition at the Timeshare art space in Los Angeles, which investigates the obscure financialization of art by way of public data linked to billionaire MoMA trustee Daniel Sundheim. There’s a lot more below, including Sarah E. Bond on the worsening threats to cultural heritage in Lebanon, Sháńdíín Brown reporting on the ground from Jeffrey Gibson’s three-day symposium at the United States pavilion in Venice, and Frédéric Chopin’s new banger. — Valentina Di Liscia, News Editor | |
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| The sense of collective strength throughout the three-day event was as palpable as the beats of the drums during the performances, the rhythms we felt in our gut. | Sháńdíín Brown |
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LATEST IN ART | | Sheryl Oring has typed and sent thousands of messages to the White House every election since 2004 as part of her performance series I Wish to Say. | Isa Farfan |
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SPONSORED | | | The MFA program at MECA&D offers an interdisciplinary approach that encourages students to think across traditional academic boundaries. Our six-term curriculum emphasizes the intersection of studio practice, individual research, and critical analysis. Apply by January 19, 2025, to be considered for our Full Tuition Scholarship. Learn more | Alice Stanne, MFA ’25, “Untitled (Kitchen Table)” (2024), installation detail |
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| She was one of the first filmmakers to make the leap from cinema to museum spaces, which allowed her greater freedom and the pleasure of demanding more viewer participation. | Eurídice Arratia |
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| | The art of Cai Guo-Qiang and Gustav Metzger illuminates a problem in art-making today: What happens when creative pursuits, in fact, destroy? | Claudia Ross |
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| | The Los Angeles artist examines the contemporary phenomenon of art as asset class by focusing on the financial dealings of a billionaire investor and MoMA trustee. |Matt Stromberg |
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FEATURED OPPORTUNITY | Cavalier Gallery – New Vision: Call for Artists | Painters, sculptors, and photographers may apply for inclusion in a feature exhibition at this Chelsea gallery, which is meant to introduce new artists to the NYC art market and will take place from December 12 to January 8. The application fee is $50 and includes up to five images. Deadline: November 22, 2024 | cavaliergallery-newvision.com See more in this month’s list of opportunities for artists, writers, and art workers! |
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You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. | Become a Member |
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