New York: Brenda Goodman, Jennifer Packer, Deborah Jack

New York

February 16, 2022 • View in browser

Brenda Goodman’s Fearless Self-Portraits

While I have seen Goodman’s self-portraits numerous times, the unlikely combination of raw pathos and tenderness always stops me in my tracks. | John Yau

SPONSORED

Jennifer Packer Shows Us the Responsibility of Seeing

Most everything in this show, is unsure, a maybe, might be there, might not be, could fulfill your hopes, might leave them by the side of the road. | Seph Rodney

“Creative Seeing” in the Paintings of Elmer Bischoff and Tom Burckhardt

Bischoff and Burckhardt questioned assumptions and conventions regarding abstraction and how we apprehend it. In fact, their questioning is what makes this a fruitful pairing. | John Yau

SPONSORED

Museum of the Moving Image Launches Screening Series Focused on Extinction & Life as It Might Be

MoMI’s yearlong Science on Screen series opens February 13 with classic films Woman in the Dunes and The World, the Flesh, and the Devil presented in 35mm. Learn more.

Deborah Jack Explores the Shared Histories of the Body and Landscape

A current retrospective highlights Jack’s insistence on photography’s capacity to express stories held in the environment rather than the archive. | C. C. McKee

Become a member today to support our independent journalism.
Your support helps keep our reporting and criticism free and accessible to all.

CLOSING SOON

Adjani Okpu-Egbe, Trip Hazard, 2014, mixed media on canvas, 48 x 60 in. (image courtesy of the artist)

On Delegitimization and Solidarity: Sisiku AyukTabe, the Martin Luther King Jr. of Ambazonia, the Nera 10, and the Myth of Violent Africa
International Studio & Curatorial Program through February 25

Mary Lum: When the Sky Is a Shape
Yancey Richardson through February 26

Jane Freilicher and Thomas Nozkowski: True Fictions
Milton Resnick and Pat Passlof Foundation through February 26