Your Venice Biennale Bingo Card

April 19, 2022 • View in browser

Good morning. ⛅ Today, a new study points out the creative sector makes up almost a quarter of all jobs in California, authorities are trying to find vandals of some ancient petroglyphs, and a filmmaker focuses on a fake town used to prepare police officers for protests and riots.
You should check out the fun bingo card we created for the Venice Biennale, and if you missed our Spaces chat with Seph Rodney you can listen here.

— Hrag Vartanian, editor-in-chief

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Your Venice Biennale Bingo Card Has Arrived

The world's oldest art biennial is back, and this year we've found a way to make it all a little easier for you to navigate with our fun-filled Bingo card. | Hrag Vartanian

SPONSORED

The Bennett Prize’s Call for Entries Is Now Open to Women Figurative Realist Painters

Artists have until October 7 to enter to win $50,000 and a traveling solo exhibition of their work. Learn more.

LATEST NEWS

Vandalized petroglyphs near Santa Fe, New Mexico (image courtesy the FBI)

The FBI is offering a reward for information leading to those responsible for vandalizing the La Cieneguilla petroglyphs in Santa Fe, New Mexico.

Creative sectors represented nearly a quarter of California’s economy in 2020, according to a report by Otis College of Art and Design.

A pinch of dust from the 1969 moon landing has sold for over half a million dollars at Bonhams in New York.

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Columbia’s MFA Thesis Exhibition Opens This Weekend in NYC

For these 33 visual and sound artists, this show marks the threshold between their lives as students and the future that lies ahead. Learn more.

ART & FILM

The Fake Town Where Police Trained to Suppress Protests

Hyperallergic talks to director Sierra Pettengill about her documentary Riotsville, USA, which finds the roots of modern policing techniques in the 1960s. | Dan Schindel

SPONSORED

YBCA and Galería de la Raza Present Pedagogy of Hope: Uncage, Reunify, Heal

This new exhibition at Yerba Buena Center for the Arts surveys a national campaign that demands the release of migrant children separated from their families at the US-Mexico border. Learn more.

Illinois Humanities Invites Viewers to Imagine a Future Without Mass Incarceration

Featuring new work by Illinois artists, writers, and humanists, the exhibition and activation kit Envisioning Justice RE:ACTION is online and open to the public. Learn more.

Alvaro Barrington’s Love Letter to Los Angeles

Beyond a mere homage to LA’s aesthetic vocabulary, Alvaro Barrington sees past the superficiality of Hollywood to celebrate the myth-making at its center. | Caroline Ellen Liou

A Futuristic View With a Nostalgic Spin

Fronteras del Futuro: Art in New Mexico and Beyond uses speculative fiction as a critical lens on culture. | Rachel Harris-Huffman

Sustainability as a Form of Resistance in Art

At NYU's Latinx Project, a group exhibition explores how Latin, African, and Asian diaspora artists promote sustainability beyond borders. | Billy Anania

Lydia Maria Pfeffer’s World of Fertility, Abundance, and Play

Anthropomorphized frog, insect, and bird figures bob in the background, dancing at the same spring ball. | Jennifer Remenchik

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